MyGeneva
Ferdinand Hodler. Profession of Faith
All of Geneva in one app
Parties, concerts, exhibitions and shows, tonight and all week, with a reminder before what you don't want to miss.
Open in the appThis exhibition examines for the first time the links between the painting of Ferdinand Hodler (1853-1918) and the religious. In his youth, the Swiss painter was an avid reader of the Bible. He incorporated rare biblical scenes in his painting, particularly that of the Good… This exhibition examines for the first time the links between the painting of Ferdinand Hodler (1853-1918) and the religious. In his youth, the Swiss painter was an avid reader of the Bible. He incorporated rare biblical scenes in his painting, particularly that of the Good Samaritan. Born in Bern, Protestant by faith, he also created a painting that connects him to the Reformation and the city of Geneva: Calvin in the courtyard of the Collège. Several church interiors and scenes of prayer are also known. Exploring the religious roots of Ferdinand Hodler, this exhibition especially develops the way the painter makes his own the idea of creation, transposing it onto nature, developing through his artistic theory almost a form of pantheism. The belief that the order of nature expresses a higher unity guided the creation of Hodler's most important works, and in particular his last great symbolist compositions, such as Gaze into Infinity, and the landscapes he calls "planetary", inviting contemplation and elevation. The exhibition traces, through some twenty-five paintings, the different professions of faith of Hodler and the spiritual stages of his journey.