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WRP Foundation presents the exhibition "Lignes de traverse" by Geneva-based artist Olivia Malena Vidal
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Open in the appBringing together works created between 2015 and 2026, Olivia Malena Vidal's exhibition demonstrates a practice that develops through the transition from one medium to another. Photography, painting, drawing and collage are not viewed as separate spaces, but as different ways of… Bringing together works created between 2015 and 2026, Olivia Malena Vidal's exhibition demonstrates a practice that develops through the transition from one medium to another. Photography, painting, drawing and collage are not viewed as separate spaces, but as different ways of exploring, transposing and translating a single obsession: the image. The image is both subject, material and starting point. It is viewed, photographed, painted, cut, covered, enlarged or reduced. It changes context, scale and status. A photograph becomes painting, a drawing becomes photograph, a chosen image can be incorporated into a collage then covered by paint. Each metamorphosis creates a gap: something of the original image remains, while a new one appears. This way of working is accompanied by reflection on perspective. To slip into an image, to observe architecture through a reflection or opening, to shift the viewpoint: perspective allows us to explore space and understand what is seen. Reality is never quite viewed frontally; it appears through detours, framing games and overlays. This relationship to the image is also dependent on art history. Over time, certain images are retained, accumulated, preserved as traces of encounters, references or fascinations. They constitute a visual memory that can be fragmented, overlaid and recomposed. The works of other artists gradually become personal material, a field of exploration. In this relationship to images, there is first the perspective of the spectator, attentive to the images surrounding her; then that of the collector, who gathers and preserves them; and finally that of the artist, who cuts them up, assembles them, covers them and modifies them to bring forth, from these fragments, her own forms. Over the years, reality leaves…